Anthony Horovitz in conversation with Jenni Murray at Manchester Town Hall

Manchester Town Hall Back Quad

Neo-gothic spires of Manchester Town Hall. Location of Guy Richie's Sherlock Holmes.

In the gothic surroundings of Manchester Town Hall Old Etonian Anthony Horovitz reflected on the dreadful school system of his childhood, an experience which he presumed his male contemporaries in the audience shared. ‘Most of the school teachers would be locked up these days,’ he speculated. It is likely though, I suspect, that  most in the audience were educated in the state sector and therefore lucky to have escaped similar horrors to his North London prep school. 

He has always loved nineteenth century literature: Dickens, Trollop and even George Gissing (‘so depressing’ he adds cheerfully). So writing a Sherlock Holmes novel has not been a chore, in fact it is his favourite book. He wonders why Alan Davies has cornered the market in television adaptations of historical novels- he would love to adapt Dickens to a modern day setting.

A skull on his desk reminds him that life is short and you just have to get on and do things. He always knew he could tell stories and for him stories and books are more exciting than life itself. It is evident that that he loves what he does and his enthusiasm for writing and engaging children in literature is infectious. He has ideas which will keep him busy for the next five years and you sense many beyond that too.

The dark panelled  banqueting hall of Waterhouse’s Town Hall will, he tells us, doubtless appear in a book some day, but his next project will take him to Antarctica where he will sit on the ice and write the last few chapters of “The Power of Five”. We wait in eager anticipation.

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Colin Bateman at the Anthony Burgess Centre

A girlfriend who believed in Bateman’s first book convinced him to send it directly to a major publisher. “Divorcing Jack” was retrieved from the Harper Collins slush-pile sixteen years ago and the rest as they say…

Journalist, Dan Starkey, has since featured in eight books and Bateman has also established himself as both screen writer, with Murphy’s Law to his credit, and as a children’s storywriter.

Bateman’s acerbic humour, influenced by Robert B. Parker, which pervades the dialogue and Starkey’s inner thoughts move the pace along and engage the reader. ‘Comedy is not fashionable in crime writing these days,’ he says, ‘if Chandler had been alive today he might be classified in a sub-genre of comic crime’ he suggests.

Where do the characters come from? He writes about what he knows; journalism and life in the Troubles. However, it is an exagerrated representation of his own personal history, Starkey would fight or wisecrack his way out of trouble whereas when the chips are down Bateman would ‘scream like a girl.’

And the question we all want to ask. How does he write? He writes a chapter a day, probably finished by lunchtime, his journalistic training grounding him in writing quickly. When he is writing he tends to read little fiction as he feels it is all too easy to be influenced by others.

He had two dreams when he was younger, to be a writer and to play for Liverpool. He is still waiting for the call from Dalgliesh…

Host Nicholas Royle speculates that Bateman’s experience in Northern Ireland gave him the character and courage to stand before an audience in Manchester, the home of the greatest football team in the world, who play in blue…


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Face to Face with Stephen Butchard


Award-winning screenwriter,Stephen Butchard, a former engineer now famous for “The House of Saddam”, “Stolen” and “Five Daughters”, is to the point when he gives advice to budding writers,’You just have to get on with it’.

He didn’t research by reading scripts, he didn’t prepare extensive character breakdowns. ‘The only way to find your characters’ voices is to write, you need to live with them,’ he says, ‘but, you also need to have the courage to leave space,’ he added, citing a scene from the Danish version of “The Killing” as an example where ‘nothing had to be said.’

A word of warning though, ‘If you are writing something that you don’t want write it won’t be any good. Why? Because there is no passion.’

So if you want to write, just do it…and make sure you want to.

Liverpool-based Stephen Butchard was in conversation with Kate Rowland, Creative Director of New Writing, BBC, at MediaCityUK.

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